The Ølby Woman

compiled by Samantha S. Reiter and Karin Margarita Frei

Figure 2: An artist’s impression of the Ølby Woman. Sketch drawn by John Rice.


Date unknown, between 1500-1300 BC


Date unknown, between 1500-1300 BC

Personal Information


The name of the young woman interred under the northernmost mound at Ølby near Køge on Zealand, Denmark almost 3500 years ago has been lost to history. In 1880, excavators at the site began referring to the remains of this female as the “Ølby Woman” [EUHL-boo] in reference to the place where she was buried (Müller 1880; Boye 1896; Aner and Kersten 1973). 

Date and place of birth

The Ølby Woman was part of the dynamic Nordic Bronze Age world. Close typological comparisons of her grave goods suggest that she lived and died within Nordic Bronze Age Period II, which experts estimate to have been between 1500-1300 BC (Randsborg 2006). 

In a recent comprehensive provenance study, Ølby Woman’s first, second and third molar teeth were sampled for strontium isotope analysis. The authors interpret the results thereby obtained to indicate that the Ølby Woman may have lived mostly locally within the borders of present-day Denmark (Bornholm excluded) until her death (S. S. Reiter et al. 2019). 

Death and place of death

The circumstances around the death of the Ølby Woman are unknown. Unfortunately, with the exception of her dental enamel, most of the Ølby Woman’s skeleton had already dissolved when excavators uncovered her body in 1880 (Boye 1896; Jensen 1995), making further study of her physical body a challenge.  However, as the recent strontium isotope analyses conducted on Ølby Woman’s first, second and third molar teeth are interpreted as being indicative of her living within the borders of present-day Denmark (S. S. Reiter et al. 2019) it is likely that she also passed away within this region, i.e. the region where she was buried. The Ølby Woman was buried centrally within a monumental burial mound as was the custom for the elite of the time. Her burial is considered to be the richest female burial within the Nordic Bronze Age. 


Like her name, the details of Ølby Woman’s family relations have also been lost. However, her burial context can provide some clues as to the kind of family of which she may have been a part. That Ølby Woman was interred in a burial mound as opposed a flat grave suggesting that she was an elite  (Holst et al. 2013; Bergerbrant et al. 2017). However, Nordic Bronze Age “elites” were likely members of the families of local chiefs, who maintained social, political, trade and kinship connections with other chiefdoms, both near and far (T. Earle and Kristiansen 2010; Timothy Earle 2002). Scholarly estimates suggest 40–50,000 grave mounds were built in Denmark alone during the few centuries during which most mound building took place in this part of the world (Johansen, Laursen, and Holst 2004; Holst et al. 2013; Kristiansen 2010), suggesting that these elites were highly influential families, i.e. local chiefs. 

Marriage and Family Life

We do not know whether Ølby Woman married, or whether she had children. 

Some scholars have suggested that the elaboration of female burials at this time may have been more a reflection of male status (either that of the husband or father) than of female status (Shennan 1975), however this has recently been challenged (Frieman, Teather, and Morgan 2019). It has been suggested that political power was transferred along hereditary lines in the Bronze Age (S. S. Reiter 2014, 17; Clarke and Cowie 1985; Renfrew 1974; Shennan 1982), though we do not know whether this was exclusively though males, females or both. Though there is no literary evidence from Ølby Woman’s time, texts and written evidence from Classical Greece have been used as rough proxies for some of the major trends present in Bronze Age Europe. Some of these describe instances and regions in which women held political and/or religious power in their own right (Mack 2014; Walsh 2003; Vasilakis 2007). We may consider the possibility, therefore, that Ølby Woman not only had the burial of a chief (including a monumental burial mound and a burial rich in grave goods, including part of a metal sword often ascribed as a power symbol), but that she may have had the power of one as well.  


Ølby Woman’s life pre-dated the arrival of literacy to Scandinavia (Barnes 2012), though archaeologists do not know enough about this period to describe her education as such. Her burial evidence (central location in a mound, rich burial accoutrements, large amount of bronze goods and a bead made of Egyptian glass (Varberg, Gratuze, and Kaul 2015; F. Kaul and Varberg 2017; Flemming Kaul et al. 2015; Varberg et al. 2016) suggest that she was a member of the elite, which may give some hints as to how she was raised.  

Elites in this period obtained and maintained their positions because they were skilled at managing surplus goods and could furthermore obtain and maintain the networks through which to get hold of prestige items. These prestige items would have been used by elites to define their social standing and to ensure their position through regifting to local retainers (T. K. Earle 1982; Timothy Earle 1997; Malinowski 1922). If Ølby Woman was educated about her social standing and the way in which it was maintained, it is likely that she learned “on the job”, as has been posited for other kinds of contemporary apprenticeships (Nørgaard and Reiter 2020).


As is thought typical for agro-pastoral economies, the cosmology of the Nordic Bronze Age was likely based on the sun’s movements across the sky during the day and through the underworld at night (Flemming Kaul 2004). The sun is, therefore, considered to be central within the Nordic Bronze Age religion/rituals. The well-known chariot of the sun and the famous rock carvings which also date to the Bronze Age are some of the many testimonies to this. The myth of the sun and its ‘travels’ between day and night is thought to have been connected with several animals that helped  the Sun along its journey, including a sacred horse, fish, snake, ships and/or chariots such as the beautiful horse-drawn sun chariot recovered from Trundholm, Denmark (

Some scholars have suggested that the particular clothing worn by women such as the Ølby Woman (the corded or string skirt) may have been associated with a ritual role within a sun cult  (Sophie Bergerbrant 2014). 


What is interesting about Ølby Woman is that she seems to have been buried in a manner consistent with male local chief and that she also seems to have lived mostly locally within present-day Denmark during her lifetime. However, the wide variety of materials within her rich burial suggest that she nonetheless had a far-reaching social/trade/political network (S. S. Reiter et al. 2019; Samantha S. Reiter and Frei 2021). The lack of evidence suggesting that Ølby Woman travelled combined with the evidence of a far-reaching network in her burial goods suggests an aspect of power that had previously only been attributed to elite male individuals (Samantha S. Reiter and Frei 2021; Lévi-Strauss 1969). The fact that Ølby Woman was buried with a broken-off sword/dagger is also interesting in this regard, as swords are items which have been traditionally associated with men (Felding et al. 2020; S. S. Reiter et al. 2019). Furthermore, besides the power that she might have held, her costume -the corded skirt and the bronze belt- suggest that she also held a potential religious/ritual role possibly related to the sun cult. Therefore, it is possible that the Ølby Woman may have held power both in relation to the economical (material) world as well as within the less tangible ritual sphere. 

Contemporaneous Network(s)

Ølby Woman’s burial may demonstrate a far-reaching network from what seems to be a local power base (Samantha S. Reiter and Frei 2021). She was buried with a blue glass bead made from Egyptian glass (Varberg, Gratuze, and Kaul 2015; F. Kaul and Varberg 2017; Flemming Kaul et al. 2015; Varberg et al. 2016) and many bronze items made from ores from at least three different mining regions: among others, the broken sword from the Mitterberg in Austria, the neck collar from the Carpathian Basin and the belt plate from the Trentino region of the Italian Alps (S. S. Reiter et al. 2019). Alongside the imported glass bead were amber beads as well, likely made from local raw material. Amber was a tremendous prestige good and was traded from the countries bordering the Baltic in exchange for other goods, such as metal ores. So intense was the trade in amber that scholars have even defined prehistoric trade routes leading throughout western Europe, which they call the “Amber Roads” (de Navarro 1925). The hunger for metal in Scandinavia in particular was so intense that researchers have estimated that it imported copper and tin (the two metals needed to make bronze) to the degree of one metric ton per year (J. Ling et al. 2012; 2014; Melheim et al. 2018; Johan Ling et al. 2019).



Ølby Woman’s work has been lost by the passage of time. However, she is best known today because of her remarkable costume. While her clothing was not as well preserved as other contemporary examples (e.g. the Egtved Girl), Ølby Woman’s burial is the richest corded skirt burials which has been found in Scandinavia to date. The cords/strings of her skirt were adorned with 125 small bronze tubes which likely rattled together if one walked while wearing them. Wearers of skirts and belt plates such as those worn by Ølby Woman have been posited to have held a ritual role in prehistory, possibly associated with a sun cult, maybe as a sun priestess.

Contemporaneous Identifications. 

Ølby Woman is not as well known to the public as some of the other Bronze Age females, though she was recently the subject of a short documentary on the Danish television channel TV2 as a result of the Tales of Bronze Age Women and Tales of Bronze Age People projects’ recent research (; with the headline “The Ølby Woman is Danish.” 


There are several aspects of Ølby Woman’s grave which can possibly speak to her reputation during life. Ølby Woman was buried as the first and central grave in her mound, which suggests that the mound was built expressly for her, an honour which  has been traditionally interpreted as being reserved mostly for male elites. This is also hinted by the presence of a broken-off sword in her grave, an honour more usually given to elite men (Felding et al. 2020; S. S. Reiter et al. 2019). That she seems to have lived mostly locally and yet nonetheless also amassed a wide variety of non-local materials in her grave may indicate that she cultivated a wide-reaching network of influence. 

Legacy and Influence

The mound in which Ølby Woman was interred is a protected historic landmark and still stands tall in the centre of a field near to the E47 highway running southwards from Copenhagen, Denmark. 



There has been some scholarly debate as to how strontium isotope analyses should be interpreted within Denmark, and whether individuals such as the Egtved Girl and the Skrydstrup Woman should be considered Danish (or not) (Thomsen and Andreasen 2019; Thomsen, Andreasen, and Rasmussen 2021; R. Frei, Frei, and Jessen 2020; Robert Frei et al. 2020; D. Price 2021; Robert Frei, Frank, and Frei 2022). However, these debates have not challenged the interpretation that the Ølby Woman seemed to have lived mostly locally within present-day Denmark until her death. Juxtaposition of a seemingly local Ølby Woman (in comparison to  foreign Egtved Girl and Skrydstrup Woman) may have been one reason for which the Danish television channel TV2’s short documentary on the recent research headlined with “The Ølby Woman is Danish”  (

New and unfolding information and/or interpretations

The Tales of Bronze Age Women/Tales of Bronze Age People team is currently working on a re-evaluation of gendered mobility patterns in later European prehistory which will include data from Ølby Woman as well as other males and females from this period in order to re-assess current scholarly models about how men and women may have been mobile at this time.


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